wedgex:

Awesome set of credits for my current employers on FURY, and also, as far as I know, the first time I’ve been side-by-side with ardaniel on screen!

(also we’ve worked with Trace Bloomer who is at not-our-office and she is awesome and we love her)

wedgex:

Awesome set of credits for my current employers on FURY, and also, as far as I know, the first time I’ve been side-by-side with ardaniel on screen!

(also we’ve worked with Trace Bloomer who is at not-our-office and she is awesome and we love her)

we share a desk

postcardsfromspace:

rachelandmiles:

Rachel here!
As some of you no doubt remember from Episode 7 (waaaaaaay back when), my con sketchbook’s theme is Cyclops Has a Good Day. While the sketchbook itself is purely physical media, you splendid folks will once in a while e-mail me a digital entry, and they are universally delightful.
This week’s comes from Jenny Yule, who has worked out what I am pretty sure is the absolute best recreational use of Cyclops’s powers AND gave me a total nostalgia rush for the weird old Ambroisia game Harry the Handsome Executive, which I would now very much like to see given a superhero revamp. BEHOLD!

Oh, man. I keep clicking back to this and giggling quietly to myself, because it is the best.

postcardsfromspace:

rachelandmiles:

Rachel here!

As some of you no doubt remember from Episode 7 (waaaaaaay back when), my con sketchbook’s theme is Cyclops Has a Good Day. While the sketchbook itself is purely physical media, you splendid folks will once in a while e-mail me a digital entry, and they are universally delightful.

This week’s comes from Jenny Yule, who has worked out what I am pretty sure is the absolute best recreational use of Cyclops’s powers AND gave me a total nostalgia rush for the weird old Ambroisia game Harry the Handsome Executive, which I would now very much like to see given a superhero revamp. BEHOLD!

Oh, man. I keep clicking back to this and giggling quietly to myself, because it is the best.

"

Pointing out Marvel Studios’ lack of on-screen diversity is nowhere near a new phenomenon. As ComicsAlliance’s Andrew Wheeler has memorably pointed out, “If Marvel makes Thor 3 [as its first 2017 release], it will have made ten movies headlined by blond white men named Chris before it makes one movie headlined by someone who isn’t even white.” While not besmirching the talent or integrity of Chris Evans, Chris Hemsworth and Chris Pratt, that’s taking lack of diversity to admirably comic levels.

Additionally, the studio’s lack of a movie with a female lead — specifically, a Black Widow feature starring Scarlett Johansson, although fans would also accept a Captain Marvel movie, or even a Squirrel Girl one by this point — has been commented on to such an extent that Marvel Studios president Kevin Feige recently weighed in, saying that he “very much believe[s] in doing it” in concept. “I hope we do it sooner rather than later,” he added at the time, while simultaneously pointing out that Marvel’s ongoing successful franchises make finding slots for new characters and concepts challenging.

That is somewhat of a smokescreen, in terms of excuses. As this summer’s Guardians of the Galaxy shows, Marvel has no problem introducing new characters and concepts — in fact, we’re due to have one per year for the next couple of years, with Ant-Man coming next year and Doctor Strange landing in 2016. In both of those cases, however, Marvel is sticking closely to white male leads. (Admittedly, the lead role in Doctor Strange is not cast, and it’s not impossible that Marvel will choose to break with tradition and cast a non-white male as its Sorcerer Supreme — but, given some of the actors rumored to have been considered for the role, that doesn’t look likely.)

Of course, there’s still an obvious opportunity for Marvel to snatch victory from the jaws of defeat on the subject of diversity in casting. Both Wonder Woman and Sony’s mystery Spider-Man project are scheduled (in the latter case, rumored) for 2017 release, and Marvel has an unnamed project scheduled for release May 5 of that year — almost two months before the June 23 bow for Wonder Woman. What if it snuck in a female-led movie just under the wire in order to be “first”?

Similarly, Aquaman isn’t due until July 2018, and there are three unknown Marvel projects scheduled before then. Black Panther, Falcon or even an upgrade from Netflix to theaters for Luke Cage could help Marvel become the first studio to put a superhero of color on the big screen since 2008’s Hancock — if it wanted to.

That, ultimately, is what this comes down to: what Marvel wants to do. As arguably the most successful movie studio around these days, and one that has demonstrated no problem in convincing mainstream audiences to accept a dancing tree and a talking raccoon as heroes, it’s not a question of whether Marvel could make a movie with a woman or person of color in the lead role, or even could make such a movie a hit. It’s a question of whether that’s something that the studio is interested in doing. Whenever Marvel announces its next projects — something which may be sooner than later, given this week’s Warner Bros. schedule announcement — we’ll get the answer to that question.

"
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The Hollywood Reporter, “Warner Bros. and DC Expose Marvel’s Achilles Heel: Diversity

(via fyeahlilbit3point0)

(via americachavez)

had this conversation the other day at my office too

grumpylinguist:

New rule: don’t use the Latin word “cum” in place of “with” in English unless it’s part of a set phrase, or you have a really good reason.

Yes I’m talking to you, Slate.

image

(via skandrae)